They represented all the surfaces of depicted objects in a single picture plane, as if the objects had all their faces visible at the same time. Notable works exhibiting Cubist qualities were Tetsugorō Yorozu's Self Portrait with Red Eyes (1912) and Fang Ganmin's Melody in Autumn (1934). , Extensive media coverage (in newspapers and magazines) before, during and after the exhibition launched the Galeries Dalmau as a force in the development and propagation of modernism in Europe. These ambitious works are some of the largest paintings in the history of Cubism. , La Maison Cubiste was a fully furnished model house, with a facade, a staircase, wrought iron banisters, and two rooms: a living room—the Salon Bourgeois, where paintings by Marcel Duchamp, Metzinger (Woman with a Fan), Gleizes, Laurencin and Léger were hung, and a bedroom. It can be moved from a church to a drawing-room, from a museum to a study. Le terme cubisme provient du vocable français cubisme, qui a été proposé par le critique Louis Vauxcelles. " Nonetheless, the Cubist poets' influence on both Cubism and the later movements of Dada and Surrealism was profound; Louis Aragon, founding member of Surrealism, said that for Breton, Soupault, Éluard and himself, Reverdy was "our immediate elder, the exemplary poet. Der Weg zum Kubismus (Munich, 1920; Eng. In doing so they also emphasized the two-dimensional flatness of the canvas instead of creating the illusion of depth. The Dalmau exhibition comprised 83 works by 26 artists. Cubism had become an influential factor in the development of modern architecture from 1912 (La Maison Cubiste, by Raymond Duchamp-Villon and André Mare) onwards, developing in parallel with architects such as Peter Behrens and Walter Gropius, with the simplification of building design, the use of materials appropriate to industrial production, and the increased use of glass. , The 1912 manifetso Du "Cubisme" by Metzinger and Gleizes was followed in 1913 by Les Peintres Cubistes, a collection of reflections and commentaries by Guillaume Apollinaire. In one scheme, the first phase of Cubism, known as Analytic Cubism, a phrase coined by Juan Gris a posteriori, was both radical and influential as a short but highly significant art movement between 1910 and 1912 in France. Le cubisme est un mouvement artistique qui s'est développé principalement de 1907 à 1914 à l'initiative des peintres Georges Braque et Pablo Picasso, suivis par Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier et Fernand Léger. Between 1918 and 1922, Le Corbusier concentrated his efforts on Purist theory and painting.  The Cubists were defended by the Socialist deputy, Marcel Sembat.. Gelett Burgess, "The Wild Men of Paris: Matisse, Picasso, and Les Fauves".  Already in 1910 a group began to form which included Metzinger, Gleizes, Delaunay and Léger. This is an exaggeration, for although it was a major first step towards Cubism it is not yet Cubist. Peinture et société: naissance et destruction d’un espace plastique, de la Renaissance au cubisme. Pablo Picasso was also inspired by African tribal masks which are highly stylised, or non-naturalistic, but nevertheless present a vivid human image. , Georges Braque's 1908 Houses at L’Estaque (and related works) prompted Vauxcelles, in Gil Blas, 25 March 1909, to refer to bizarreries cubiques (cubic oddities). Le fauvisme joue dans la cour de l’avant-garde. , The reemergence of Cubism coincided with the appearance from about 1917–24 of a coherent body of theoretical writing by Pierre Reverdy, Maurice Raynal and Daniel-Henry Kahnweiler and, among the artists, by Gris, Léger and Gleizes. Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. Il est l'un des plus importants artistes du XXe siècle. Aimed at a large public, these works stressed the use of multiple perspective and complex planar faceting for expressive effect while preserving the eloquence of subjects endowed with literary and philosophical connotations. Un mouvement d’une courte durée dans l’histoire de l’Art, mais qui n’en fut pas moins intense et porteuse d’inspiration pour les générations qui allaient suivre. Solomon R. Guggenheim Museum, New York. Pablo Picasso's 1907 painting Les Demoiselles d'Avignon has often been considered a proto-Cubist work.  The Cubo-Futurist ideas of Filippo Tommaso Marinetti influenced attitudes in avant-garde architecture. The subsequent 1912 Salon des Indépendants in Paris (20 March to 16 May 1912) was marked by the presentation of Marcel Duchamp's Nude Descending a Staircase, No. In the 1920s, Japanese and Chinese artists who studied in Paris, for example those enrolled at the École nationale supérieure des Beaux-Arts, brought back with them both an understanding of modern art movements, including Cubism.  The term is broadly used in association with a wide variety of art produced in Paris (Montmartre and Montparnasse) or near Paris (Puteaux) during the 1910s and throughout the 1920s. Exhibited at the Salon des Indépendants, 1913, Pablo Picasso, 1913–14, Femme assise dans un fauteuil (Eva), Woman in an Armchair, oil on canvas, 149.9 x 99.4 cm, Leonard A. Lauder Cubist Collection, Juan Gris, 1915, Nature morte à la nappe à carreaux (Still Life with Checked Tablecloth), oil and graphite on canvas, 116.5 x 89.2 cm, Metropolitan Museum of Art, Leonard A. Lauder collection, Jean Metzinger, April 1916, Femme au miroir (Femme à sa toilette, Lady at her Dressing Table), oil on canvas, 92.4 x 65.1 cm, private collection, Juan Gris, October 1916, Portrait of Josette, oil on canvas, 116 x 73 cm, Museo Reina Sofia, Madrid, Pablo Picasso, 1918, Arlequin au violon (Harlequin with Violin), oil on canvas, 142 x 100.3 cm, The Cleveland Museum of Art, Ohio, Gino Severini, 1919, Bohémien Jouant de L'Accordéon (The Accordion Player), Museo del Novecento, Milan, Albert Gleizes, 1920, Femme au gant noir (Woman with Black Glove), oil on canvas, 126 x 100 cm, National Gallery of Australia, Paintings by Albert Gleizes, 1910–11, Paysage, Landscape; Juan Gris (drawing); Jean Metzinger, c.1911, Nature morte, Compotier et cruche décorée de cerfs. Part of Late at Tate, March 2012, Fun, exotic and very modern: Patrick Caulfield at Tate Britain I, A Technical Study of Picasso’s Construction, Bottle of Vieux Marc, Glass, Guitar and Newspaper. The result, not solely a collaboration between its two authors, reflected discussions by the circle of artists who met in Puteaux and Courbevoie. In France, offshoots of Cubism developed, including Orphism, Abstract art and later Purism.  Le Corbusier's ambition had been to translate the properties of his own style of Cubism to architecture. According to Cooper there was "Early Cubism", (from 1906 to 1908) when the movement was initially developed in the studios of Picasso and Braque; the second phase being called "High Cubism", (from 1909 to 1914) during which time Juan Gris emerged as an important exponent (after 1911); and finally Cooper referred to "Late Cubism" (from 1914 to 1921) as the last phase of Cubism as a radical avant-garde movement. Cubism has been considered the most influential art movement of the 20th century. They were inevitably more aware of public response and the need to communicate. Statens Museum for Kunst, National Gallery of Denmark, Jean Metzinger, 1911–12, Commemoració del centenari del cubisme a Barcelona. Wallace Stevens' "Thirteen Ways of Looking at a Blackbird" is also said to demonstrate how cubism's multiple perspectives can be translated into poetry. Published in La Publicidad, 26 April 1912, Umberto Boccioni, 1911, La rue entre dans la maison; Luigi Russolo, 1911, Souvenir d’une nuit.  Other common threads between these disparate movements include the faceting or simplification of geometric forms, and the association of mechanization and modern life. The conjunction of such subject matter with simultaneity aligns Salon Cubism with early Futurist paintings by Umberto Boccioni, Gino Severini and Carlo Carrà; themselves made in response to early Cubism.. And just as in painting, it became a pervasive influence and contributed fundamentally to Constructivism and Futurism. Cubism was a revolutionary new approach to representing reality invented in around 1907–08 by artists Pablo Picasso and Georges Braque. "It is by no means clear, in any case," wrote Christopher Green, "to what extent these other Cubists depended on Picasso and Braque for their development of such techniques as faceting, 'passage' and multiple perspective; they could well have arrived at such practices with little knowledge of 'true' Cubism in its early stages, guided above all by their own understanding of Cézanne." Who knows?. "Catalogue of international exhibition of modern art: at the Armory of the Sixty-ninth Infantry, 1913, Duchamp-Villon, Raymond, "Jacques Doucet's Studio St. James at Neuilly-sur-Seine", "The Cubist Poetry of Pierre Reverdy (Rexroth)", "Title Page > Pierre Reverdy: Selected Poems", Illinois Wesleyan University – The American Poetry Web, Cubism, Heilbrunn Timeline of Art History, Metropolitan Museum of Art, Index of Historic Collectors and Dealers of Cubism, Leonard A. Lauder Research Center for Modern Art, Metropolitan Museum of Art, https://en.wikipedia.org/w/index.php?title=Cubism&oldid=991771335, Creative Commons Attribution-ShareAlike License, This page was last edited on 1 December 2020, at 19:07. 2. Art de concevoir les décors scéniques. Réaliser un portrait … 27 déc. Par contre, la lumière est répartie sur chaque fragment. After World War I, with the support given by the dealer Léonce Rosenberg, Cubism returned as a central issue for artists, and continued as such until the mid-1920s when its avant-garde status was rendered questionable by the emergence of geometric abstraction and Surrealism in Paris. Many Cubists, including Picasso, Braque, Gris, Léger, Gleizes, and Metzinger, while developing other styles, returned periodically to Cubism, even well after 1925. In 1913–14 Léger produced a series entitled Contrasts of Forms, giving a similar stress to color, line and form. Paris: Gallimard, 1967; Etudes de sociologie de l’art, Paris: Éd. It was against this background of public anger that Jean Metzinger and Albert Gleizes wrote Du "Cubisme" (published by Eugène Figuière in 1912, translated to English and Russian in 1913). Elle est suivie par le cubisme synthétique de 1912 avec notamment les … watch video: how to make: see more: Related Post. In their theoretical rules, the Cubist architects expressed the requirement of dynamism, which would surmount the matter and calm contained in it, through a creative idea, so that the result would evoke feelings of dynamism and expressive plasticity in the viewer. Le cubisme est un courant et une théorie esthétique des arts plastiques et du dessin.  The critic Charles Morice relayed Matisse's words and spoke of Braque's little cubes. Jacques Villon exhibited seven important and large drypoints, while his brother Marcel Duchamp shocked the American public with his painting Nude Descending a Staircase, No. The tightening of the compositions, the clarity and sense of order reflected in these works, led to its being referred to by the critic Maurice Raynal as 'crystal' Cubism. In addition to Seurat, the roots of cubism are to be found in the two distinct tendencies of Cézanne's later work: first his breaking of the painted surface into small multifaceted areas of paint, thereby emphasizing the plural viewpoint given by binocular vision, and second his interest in the simplification of natural forms into cylinders, spheres, and cones. Laurens designed the fountain, Csaky designed Doucet's staircase, Lipchitz made the fireplace mantel, and Marcoussis made a Cubist rug. Cubism burgeoned between 1907 and 1911. Femme à la guitare, œuvre cubiste de Georges Braque. Chambre des députés, 3 Décembre 1912, pp.  Joseph Csaky, after Archipenko, was the first sculptor in Paris to join the Cubists, with whom he exhibited from 1911 onwards. Arts plastiques (m. pluriel) L’Art relève de l’artifice parce qu’il fabrique des objets qui ne sont pas naturels, mais artificiels (art et artifice ont la même racine).Un art est appelé plastique: a) lorsqu’il est modelable dans une matière; b) lorsqu’il s’attache essentiellement aux problèmes de la construction des formes. The next logical step, for Duchamp, was to present an ordinary object as a self-sufficient work of art representing only itself. Voir plus d'idées sur le thème Sonia delaunay, Cubisme, Femme artiste. The occasional return to classicism—figurative work either exclusively or alongside Cubist work—experienced by many artists during this period (called Neoclassicism) has been linked to the tendency to evade the realities of the war and also to the cultural dominance of a classical or Latin image of France during and immediately following the war.  In 1911, the poet and critic Guillaume Apollinaire accepted the term on behalf of a group of artists invited to exhibit at the Brussels Indépendants. Most often the connections are made by reference to shared formal characteristics: faceting of form, spatial ambiguity, transparency, and multiplicity. One even wonders why the artist has not used cubes of solid matter diversely colored: they would make pretty revetments." , The original Cubist architecture is very rare.  Czech Cubist architects also designed Cubist furniture. Wider views of Cubism include artists who were later associated with the "Salle 41" artists, e.g., Francis Picabia; the brothers Jacques Villon, Raymond Duchamp-Villon and Marcel Duchamp, who beginning in late 1911 formed the core of the Section d'Or (or the Puteaux Group); the sculptors Alexander Archipenko, Joseph Csaky and Ossip Zadkine as well as Jacques Lipchitz and Henri Laurens; and painters such as Louis Marcoussis, Roger de La Fresnaye, František Kupka, Diego Rivera, Léopold Survage, Auguste Herbin, André Lhote, Gino Severini (after 1916), María Blanchard (after 1916) and Georges Valmier (after 1918). They brought different views of subjects (usually objects or figures) together in the same picture, resulting in paintings that appear fragmented and abstracted. , The fact that the 1912 exhibition had been curated to show the successive stages through which Cubism had transited, and that Du "Cubisme" had been published for the occasion, indicates the artists' intention of making their work comprehensible to a wide audience (art critics, art collectors, art dealers and the general public). , Japan and China were among the first countries in Asia to be influenced by Cubism.  They worked mostly in Prague but also in other Bohemian towns. ", There was a distinct difference between Kahnweiler's Cubists and the Salon Cubists. Mouvement pictural d’avant-garde qui date des années 1960 et qui se caractérise par des œuvres schématisées et construites selon des règles strictes. Mare called the living room in which Cubist paintings were hung the Salon Bourgeois.  Czech architects were the first and only ones to ever design original Cubist buildings. The furnishings, wallpaper, upholstery and carpets of the interior were designed by André Mare, and were early examples of the influence of cubism on what would become Art Deco. Published in Veu de Catalunya, 25 April 1912, Jean Metzinger, 1911, Le goûter (Tea Time), Philadelphia Museum of Art. Kubismus ist eine Stilrichtung in der Kunstgeschichte.Er entstand aus einer Bewegung der Avantgarde in der Malerei ab 1906 in Frankreich. Bibliothèque et Archives de l'Assemblée nationale, 2012–7516, The History and Chronology of Cubism, p. 5, La Section d'Or, Numéro spécial, 9 Octobre 1912, "Cubism in Asia: Unbounded Dialogues – Report", Christopher Green, 2009, Cubism, II. B. peintre (Jacques Bon) 1914); Jean Crotti; Hugo Robus; Stanton MacDonald-Wright; and Frances Simpson Stevens (center), Every Week, Vol. However, the linking of basic geometric forms with inherent beauty and ease of industrial application—which had been prefigured by Marcel Duchamp from 1914—was left to the founders of Purism, Amédée Ozenfant and Charles-Édouard Jeanneret (better known as Le Corbusier,) who exhibited paintings together in Paris and published Après le cubisme in 1918. In 1918 Rosenberg presented a series of Cubist exhibitions at his Galerie de l’Effort Moderne in Paris. De Stijl was also linked by Gino Severini to Cubist theory through the writings of Albert Gleizes. His theoretical studies soon advanced into many different architectural projects. Its effects on later art, on film, and on architecture are already so numerous that we hardly notice them. Published in Les Annales politiques et littéraires, 1 December 1912, Francis Picabia, paintings published in the New York Tribune, 9 March 1913. Léger's The Wedding, also shown at the Salon des Indépendants in 1912, gave form to the notion of simultaneity by presenting different motifs as occurring within a single temporal frame, where responses to the past and present interpenetrate with collective force. Nevertheless, the Demoiselles is the logical picture to take as the starting point for Cubism, because it marks the birth of a new pictorial idiom, because in it Picasso violently overturned established conventions and because all that followed grew out of it. The first organized group exhibition by Cubists took place at the Salon des Indépendants in Paris during the spring of 1911 in a room called 'Salle 41'; it included works by Jean Metzinger, Albert Gleizes, Fernand Léger, Robert Delaunay and Henri Le Fauconnier, yet no works by Picasso or Braque were exhibited. Déposez votre CV sur Emploi.ci et postulez aux offres d'emploi du secteur: Arts Plastiques en Côte d´ivoire Definitions and examples of 136 literary terms and devices. Cubism and modern European art was introduced into the United States at the now legendary 1913 Armory Show in New York City, which then traveled to Chicago and Boston. Though there are many points of intersection between Cubism and architecture, only a few direct links between them can be drawn. L'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud), The Cubist Painters, Aesthetic Meditations, Soldat jouant aux échecs (Soldier at a Game of Chess, Le Soldat à la partie d'échecs), École nationale supérieure des Beaux-Arts, Le Dépiquage des Moissons (Harvest Threshing), Les Joueurs de football (Football Players), Femme au miroir (Femme à sa toilette, Lady at her Dressing Table), Femme au gant noir (Woman with Black Glove), Nature morte, Compotier et cruche décorée de cerfs, l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud), Fondation Gleizes, Chronologie (in French), Robert Delaunay, Eiffel Tower (Tour Eiffel), 1911 (dated 1910 by the artist). Together with other young artists, the group wanted to emphasise a research into form, in opposition to the Neo-Impressionist emphasis on color. , The most innovative period of Cubism was before 1914. This marked a revolutionary break with the European tradition of creating the illusion of real space from a fixed viewpoint using devices such as linear perspective, which had dominated representation from the Renaissance onwards. The leading Cubist architects were Pavel Janák, Josef Gočár, Vlastislav Hofman, Emil Králíček and Josef Chochol. As American poet Kenneth Rexroth explains, Cubism in poetry "is the conscious, deliberate dissociation and recombination of elements into a new artistic entity made self-sufficient by its rigorous architecture. Le mouvement est né en France et a connu son apogée entre 1907 et 1914. However, the word "cube" was used in 1906 by another critic, Louis Chassevent, with reference not to Picasso or Braque but rather to Metzinger and Delaunay: The critical use of the word "cube" goes back at least to May 1901 when Jean Béral, reviewing the work of Henri-Edmond Cross at the Indépendants in Art et Littérature, commented that he "uses a large and square pointillism, giving the impression of mosaic. This grouping of styles of painting and sculpture, especially significant between 1917 and 1920, was practiced by several artists; particularly those under contract with the art dealer and collector Léonce Rosenberg. Picasso in turn was an important influence on Stein's writing. Although the work was shown in the Salon de la Section d'Or in October 1912 and the 1913 Armory Show in New York, Duchamp never forgave his brothers and former colleagues for censoring his work. 2924–2929. Arts plastiques (m. pluriel) : L'art relève de l'artifice parce qu'il fabrique des objets qui ne sont pas naturels, mais artificiels ( art et artifice ont la même racine). Enrich your vocabulary with the French Definition dictionary The Impressionists had used a double point of view, and both Les Nabis and the Symbolists (who also admired Cézanne) flattened the picture plane, reducing their subjects to simple geometric forms. Not only were they the first important patrons of Cubism, Gertrude Stein and her brother Leo were also important influences on Cubism as well. Early Futurist paintings hold in common with Cubism the fusing of the past and the present, the representation of different views of the subject pictured at the same time, also called multiple perspective, simultaneity or multiplicity, while Constructivism was influenced by Picasso's technique of constructing sculpture from separate elements. , Also labeled an Orphist by Apollinaire, Marcel Duchamp was responsible for another extreme development inspired by Cubism. In France and other countries Futurism, Suprematism, Dada, Constructivism, Vorticism, De Stijl and Art Deco developed in response to Cubism. But "this view of Cubism is associated with a distinctly restrictive definition of which artists are properly to be called Cubists," wrote the art historian Christopher Green: "Marginalizing the contribution of the artists who exhibited at the Salon des Indépendants in 1911 [...]", The assertion that the Cubist depiction of space, mass, time, and volume supports (rather than contradicts) the flatness of the canvas was made by Daniel-Henry Kahnweiler as early as 1920, but it was subject to criticism in the 1950s and 1960s, especially by Clement Greenberg. 22 oct. 2014 - Découvrez le tableau "Cubisme Halloween" de MC sur Pinterest. Cubism opened up almost infinite new possibilities for the treatment of visual reality in art and was the starting point for many later abstract styles including constructivism and neo-plasticism. , The Section d'Or, also known as Groupe de Puteaux, founded by some of the most conspicuous Cubists, was a collective of painters, sculptors and critics associated with Cubism and Orphism, active from 1911 through about 1914, coming to prominence in the wake of their controversial showing at the 1911 Salon des Indépendants. , Contemporary views of Cubism are complex, formed to some extent in response to the "Salle 41" Cubists, whose methods were too distinct from those of Picasso and Braque to be considered merely secondary to them. In France, however, Cubism experienced a decline beginning in about 1925. Close. In the Armory show Pablo Picasso exhibited La Femme au pot de moutarde (1910), the sculpture Head of a Woman (Fernande) (1909–10), Les Arbres (1907) amongst other cubist works. However, the cubists explored this concept further than Cézanne. Contact first occurred via European texts translated and published in Japanese art journals in the 1910s. These soirées often included writers such as Guillaume Apollinaire and André Salmon. The history of the term "Cubism" usually stresses the fact that Matisse referred to "cubes" in connection with a painting by Braque in 1908, and that the term was published twice by the critic Louis Vauxcelles in a similar context. Débats parlementaires. Voir plus d'idées sur le thème art plastique, picasso cubisme, peintures picasso. The ready-made arose from a joint consideration that the work itself is considered an object (just as a painting), and that it uses the material detritus of the world (as collage and papier collé in the Cubist construction and Assemblage). In literature, the written works of Gertrude Stein employ repetition and repetitive phrases as building blocks in both passages and whole chapters. The novel features narratives of the diverse experiences of 15 characters which, when taken together, produce a single cohesive body. In 1908, in his review of Georges Braque's exhibition at Kahnweiler's gallery, the critic Louis Vauxcelles called Braque a daring man who despises form, "reducing everything, places and a figures and houses, to geometric schemas, to cubes". Published in "Les Annales politiques et littéraires", Sommaire du n. 1536, décembre 1912, Jean Metzinger, c.1911, Nature morte, Compotier et cruche décorée de cerfs; Juan Gris, 1911, Study for Man in a Café; Marie Laurencin, c.1911, Testa ab plechs; August Agero, sculpture, Bust; Juan Gris, 1912, Guitar and Glasses, or Banjo and Glasses. Artiste utilisant tous les supports pour son travail, il est considéré comme le fondateur du cubisme. Il est né en 1881 et mort en 1973. 30 août 2017 - Séquence 10 : le cubisme et le sujet en peinture  The controversy spread to the Municipal Council of Paris, leading to a debate in the Chambre des Députés about the use of public funds to provide the venue for such art. Thus, new forms of windows and doors were also created, e. g. hexagonal windows. Watch video: How to make: printable template: see more: Latest Posts. Philadelphia Museum of Art, Marcel Duchamp, Nude Descending a Staircase, No. « Cubisme » expliqué aux enfants par Vikidia, l’encyclopédie junior. The motif of the viaduct at l'Estaque had inspired Braque to produce three paintings marked by the simplification of form and deconstruction of perspective. , In Du "Cubisme" Metzinger and Gleizes explicitly related the sense of time to multiple perspective, giving symbolic expression to the notion of ‘duration’ proposed by the philosopher Henri Bergson according to which life is subjectively experienced as a continuum, with the past flowing into the present and the present merging into the future. , The Cubism of Picasso and Braque had more than a technical or formal significance, and the distinct attitudes and intentions of the Salon Cubists produced different kinds of Cubism, rather than a derivative of their work. Cubism was partly influenced by the late work of artist Paul Cézanne in which he can be seen to be painting things from slightly different points of view. Published in La Veu de Catalunya, 1 February 1912, Jean Metzinger, 1910–11, Paysage (whereabouts unknown); Gino Severini, 1911, La danseuse obsedante; Albert Gleizes, 1912, l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud).  Cooper goes on to say: "The Demoiselles is generally referred to as the first Cubist picture. Information and translations of Cubism in the most comprehensive dictionary definitions … The most extreme forms of Cubism were not those practiced by Picasso and Braque, who resisted total abstraction. 2, oil on canvas, 146 x 114 cm, Musée National d'Art Moderne, Paris, Henri Le Fauconnier, 1910–11, L'Abondance (Abundance), oil on canvas, 191 x 123 cm, Gemeentemuseum Den Haag, Marcel Duchamp, 1911, La sonate (Sonata), oil on canvas, 145.1 x 113.3 cm, Philadelphia Museum of Art, Pablo Picasso, 1911, La Femme au Violon, oil on canvas, private collection, on long-term loan to Bavarian State Painting Collections, Pinakothek der Moderne, Munich, Fernand Léger, 1911–1912, Les Fumeurs (The Smokers), oil on canvas, 129.2 x 96.5 cm, Solomon R. Guggenheim Museum, New York, Georges Braque, 1911–12, Man with a Guitar (Figure, L’homme à la guitare), oil on canvas, 116.2 x 80.9 cm, Museum of Modern Art, Jacques Villon, 1912, Girl at the Piano (Fillette au piano), oil on canvas, 129.2 x 96.4 cm, oval, Museum of Modern Art, New York.
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